Working at Flat 11 actuality in Chicago, a flat that specializes in hip-hop and R&B, we apprehend a lot of beats from producers on a circadian basis—and assignment with artists to about-face those beats into songs. Whether the artisan fabricated the exhausted themselves or purchased it from addition producer, we’ve heard it all.

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More about than not, we see accepted mix issues that appear that we accept to fix in adjustment to accomplish the active assignment for the vocalist. Acknowledging these issues and acclimation them afore sending it to an artist—or alive them afore you accomplishment your own mix—can actually advice the recording and final bond process.

In this commodity I will be apropos to standard, stereo MP3 or WAV files, seeing how these are the best accepted formats to almanac vocals over. Actuality are some of the mistakes that appear beyond our lath all the time:

Something I apprehend all too about is hi-hats and cymbals that are way aloft the added instruments. This can be due to the actuality that the ambassador had poor monitors or a bad bond environment—or they aloof weren’t advantageous attention. The capital botheration with hi-hats actuality too loud, abreast from it drowning out the high-end frequencies of added instruments, is that they accomplish it difficult to accomplish vocals actually pop over the beat.

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If there is a lot of high-frequency agreeable in the hi-hats, the delivery or “teeth” frequencies of the delivery (between 3.5kHz to 7kHz) accept no allowance to actually blow through. Therefore, audition the words will be harder.

Many times, we’ll exhausted some of that ambit out with an EQ. The botheration with that approach, however, is that we will be acid out things that we don’t appetite to cut out—like the top-end of a allurement boom that actually cracks or a advance synth that helps backpack the song. To booty affliction of the hats, we’re muffling added genitalia of the clue the ambassador advised to be there, which is a shame, because that the botheration of acute cymbals could accept been apparent aloof by axis them bottomward in the aboriginal mix.

When advancing a clue afore sending it to an artisan or a assembly abode like ours, booty a footfall aback and ask yourself if the hi-hats or cymbals are too loud. Are they dispatch on the delivery of the added instruments? You’ll be afraid how abundant added allowance there will be if the hi-hats and cymbals are at an adapted level. Try demography them bottomward and apprehend for yourself.

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Bass actually is adamantine to attach if you’re a bedchamber producer. You actually charge a calibrated brace of monitors and allowance to apprehend what’s activity on bottomward there. But there are some means to address basslines that assignment with the song and are appropriately attenuated in the mix.

The aboriginal accepted affair I apprehend a lot is bass that’s accounting in too low of an octave. If bass is accounting too low, it becomes adamantine to apprehend on baby speakers. (Also, due to those frequencies’ continued wavelengths, the lower they are the added allowance they eat up in a mix.)

Because a too-low bass is so low, it’s adamantine to hear, and accordingly needs to be cranked up in dB to actually be heard in the mix. This again eats up activating amplitude in the mix and makes it boxy to get a loud all-embracing mix in the arrive date afterwards over-compressing everything.

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