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17 Moments That Basically Sum Up Your Treat You Better Piano Sheet Music Experience | Treat You Better Piano Sheet Music

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PBS Airdate: June 30, 2009

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NARRATOR: Some bodies accept it, and others aloof don’t…

OLIVER SACKS (Author, Neurologist): This has been argued for two and a bisected centuries and will apparently abide to be argued.

NARRATOR: …music on the brain. Why are some of us hardwired to adulation music, to abode music, to accomplish music?


ALAN YENTOB: Some bodies accept got it, and some bodies haven’t got it. And you’ve got it, Derek.


NARRATOR: Four amazing cases booty us on a adventure to acquisition an answer. Can we alleviate the mysteries of Agreeable Minds? Appropriate now, on NOVA.

ALAN YENTOB: Derek is dark and autistic.

DEREK PARAVICINI: Alan, I’m Derek. Hello, Alan.

Very well, acknowledge you.

ALAN YENTOB: He can about calculation accomplished 10, but he can action music at lightning speed.


ALAN YENTOB: Matt has Tourette syndrome. He is addled by tics, except aback he plays the drums.

MATT GIORDANO (Drummer): It’s about like my academician was a puzzle, right, and some of the pieces were not in place, and, all of a sudden, aggregate aloof affectionate of clicked.

ALAN YENTOB: Tony is an orthopedic surgeon who had no academic agreeable training. One summer day, he was addled by a bolt of lightning. He is now a artisan and performer, arena to sell-out audiences.

TONY CICORIA (Composer and Pianist): I apprehension that the alone acumen that I was accustomed to animate was because of the music.

ALAN YENTOB: What is it about music that unlocks the animal mind?

Finding an acknowledgment is the attraction of Dr. Oliver Sacks, a neurologist and columnist of abounding acclaimed books including The Man Who Mistook His Wife for a Hat.

His books are abounding with the acute belief of his patients, accustomed bodies arresting with amazing acoustic conditions.

His book Awakenings, based on the assignment he did with catatonic patients, was fabricated into a film, starring Robert DeNiro and Robin Williams.

In his latest book, Musicophilia, he explores the affiliation amid music and the animal brain.

What came first, music or language?

OLIVER SACKS: Well, this has been argued for two and a bisected centuries and will apparently abide to be argued. Various people, from William James to Stephen Pinker, accept credible music as trivial. But I anticipate it’s difficult to bout that up with the actuality that music occurs in every adeptness that we apperceive of…a axial role, or many, abounding axial roles.

ALAN YENTOB: At what point does the fetus, do you think, advance a array of affection to music?

OLIVER SACKS: This is actually anecdotal. Actually some of my agreeable accompany who played Beethoven aback the fetus was in utero, afresh assert that the adolescent is addicted of Beethoven or addicted of bedrock music. I mean, certainly, complete will get transmitted to the fetus.

I’ve had music every day of my life, I think, as far as I can remember, and I would actually feel fatigued if I didn’t accept music available. I anticipate one can advance musically all through life.

ALAN YENTOB: Derek Paravicini lives aloof alfresco of London. He has a arresting story.

He’s 29 years old. He’s been dark aback bearing and is acutely autistic. In abounding ways, Derek functions like a four-year-old; he doesn’t apperceive his abode or his buzz number. And yet he is an astonishingly, about bafflingly ablaze pianist.

DEREK PARAVICINI: Alan, I’m Derek. Hello, Alan.

Very well, acknowledge you.

ALAN YENTOB: It’s nice to be here, Derek. Is that ‘specially for me?


ALAN YENTOB: Derek is a agreeable savant, and a abundant accord of his academician adeptness is committed to hearing, processing and creating music.

Very nice, too. Acknowledge you. What a nice welcome.

DEREK PARAVICINI: Yes, acceptable to Red Hill, Alan.

ALAN YENTOB: Actual nice to be actuality on a admirable day. And so we’ve arise to see you. Did we acquaint you we’ve arise to accept to you play? We’ve alike brought a little allotment of music with us…


ALAN YENTOB: …because we’re authoritative a blur about music and how some bodies accept got it and some bodies haven’t got it. And you’ve got it, Derek.


ALAN YENTOB: Actuality it comes. Actuality it comes.

Derek has never heard this song before, but his coach and music teacher, Professor Adam Ockelford has said that Derek will be able to comedy aback any allotment of music afterwards audition it alone once, no amount how circuitous it is.

ADAM OCKLEFORD (Adam’s piano instructor, Roehampton University): Do you appetite to try it afterwards the C.D.?

DEREK PARAVICINI: Try it afterwards the C.D., please, Adam.


ALAN YENTOB: Not alone does Derek comedy the allotment aback agenda for note, but his adeptness to ad-lib and comedy about with the melody is artlessly stunning.



ALAN YENTOB: My god. So what do you accomplish of that, Adam? You’ve credible it.

ADAM OCKLEFORD: I apprehension it was appealing good.

You got it, didn’t you, Derek? What array of appearance was that in, do you think?

DEREK PARAVICINI: George Shearing, George Shearing.

ALAN YENTOB: It’s a beboppy affectionate of style.

DEREK PARAVICINI: Affectionate of bebop affectionate of style, yes.

ALAN YENTOB: Derek was built-in three and a bisected months abortive and advised alone one pound, bristles ounces. The oxygen analysis he was accustomed to accumulate him animate larboard him actually dark and with abiding acquirements difficulties.

Even today he has agitation counting above 10. But aback Derek’s parents credible him arena the piano at the age of two, they knew there was added action on central his arch than the doctors had anytime imagined.

ADAM OCKLEFORD: Aback they realized, of course, that central that brain, area they apprehension not a lot was action on, actually, Derek was mapping out his agreeable apple actually perfectly. It was aloof extraordinary.

When he was about four, four and a half, his parents brought him to a academy for the dark area I was teaching. And I was aloof teaching a babe alleged Kelly, and we were animate away, and aback I was acquainted that actuality shoved in the back, and a tiny little Derek had run beyond and pushed me out of the way and aloof started to play, aloof so motivated to accomplish music, alike at that stage. Of course, he had the best tiny hands. He could alone adeptness bristles notes, a fifth, and somehow he accomplished himself “Don’t Cry for Me, Argentina.” He was playing, but not aloof the tune. Actuality Derek, he was arena scales and arpeggios, application his elbows and aggregate to get the addendum in.

ALAN YENTOB: Do you bethink that?

DEREK PARAVICINI: I do bethink that, yes.

ALAN YENTOB: You were actual little.

ADAM OCKLEFORD: Yeah, we were talking this morning, weren’t we, Derek? And you were two, what happened?

DEREK PARAVICINI: I started to comedy “Argentina.”

ADAM OCKLEFORD: That’s how you played it aback you were little, Derek, because you had tiny hands.


ADAM OCKLEFORD: They were about that big.


ADAM OCKLEFORD: And you acclimated to use your deride a lot, didn’t you?


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ADAM OCKLEFORD: Sometimes you’d use your…like ch, ch, ch.


ALAN YENTOB: Aback he was a child, Derek has admiring absorption for his altered ability.

ADAM OCKLEFORD: Are you ready?

ALAN YENTOB: But, although his academician can action music at lightning speed, it took Adam years to advise him the basal fingering skills.

ADAM OCKLEFORD: Alike today, Derek still doesn’t actually apperceive his fingers from his thumbs, in a way. If you say, “which is your larboard thumb?” he’d accept adversity with that. But, of course, the minute it touches a keyboard, it’s a altered matter. He’s actually at one. But the alone way to appearance him how to comedy scales and arpeggios and so on—the array of stock-in-trade of any pianist—was physically for him to feel my easily and for me to physically adviser him on the keyboard. And I apprehension it would booty a ages or two, but it actually took years and years, because, in that respect, the acquirements difficulties were actual apparent.

OLIVER SACKS: I anticipate annihilation gives one the faculty of a neural base for musicality added acerb than these agreeable savants who aback access into song or comedy the piano or whatever, with about no training; although, clearly, acknowledgment to music has been important.

ALAN YENTOB: Acknowledgment to music, but on the added hand, they’re apparent to music but they can’t actually apprehend music. There’s no beheld aid to it. They aloof apprehend it.

OLIVER SACKS: They apprehend it and they get it, and it has a abstruse aftereffect on them and they anticipate about it. And music gets them action to an amazing degree.

ALAN YENTOB: Can you do Twinkle, Twinkle” in that style?

DEREK PARAVICINI: I can do “Twinkle, Twinkle” in that style.

ALAN YENTOB: You watch him arena and, frankly, you curiosity at that, as you watch his easily and his accomplishment. And afresh I bethink watching him walking actuality into the alarm studio, and I see the clip at which he’s moving, the movements of his head, aggravating to alike himself and acquisition his way. And that’s clearly, that’s affectionate of a difficult action for him. And yet, there’s this array of actual transformation, and it’s actually actually a lot to booty in.

ADAM OCKLEFORD: I anticipate people, aback they see Derek comedy the piano and apprehend him, they aloof can’t…it’s actual adamantine for them to brainstorm how difficult a lot of accustomed jobs are for Derek. His academician aloof isn’t alive up to do a lot of the things that we acquisition acutely easy. And yet article that best of us acquisition impossible, he can do it automatically.

ALAN YENTOB: You accept scanned his brain, at some point, didn’t you, with an E.C.G.?

ADAM OCKLEFORD: Yeah, we did one of those abstracts area you put electrodes on the scalp. And we approved arena Derek little $.25 of the “Moonlight Sonata,” some of which had errors in, and we credible that Derek’s brain, in a atom of a second—before we could alike carefully be acquainted of it—had registered what was appropriate and what was wrong. His accomplished academician was lighting up with the music. Yet the exact responses he gave were at child’s level. It was hit and miss, “yes” or “no.” Yet intuitively, his academician was animate with the music.

ALAN YENTOB: If you’re blind, maybe your academician has amplitude to lath article more.

OLIVER SACKS: Oh, absolutely. I mean, there’s this huge complete acreage of the beheld cortex. And annihilation stays empty, and it’ll be alive by audition stimuli, by concrete stimuli, and so the dark bodies become about supernaturally acute in abounding added ways.

They will adeptness out to sound, to touch, to smell, and those genitalia of the academician will develop, instead. In general, bodies built-in dark are disposed to be added musical, and I anticipate amaurosis charge be important with Derek.

ADAM OCKLEFORD: Final blues?

DEREK PARAVICINI: Final blues; “Basin Street Blues.”

ALAN YENTOB: Oh, that would be good, wouldn’t it?

DEREK PARAVICINI: “Basin Street Blues.”

ALAN YENTOB: Fantastic.


ADAM OCKLEFORD: Shall we do it calm or do you appetite to do it as a solo?

DEREK PARAVICINI: Do it calm and as a solo.

ADAM OCKLEFORD: All appropriate then. Because you consistently comedy my parts, don’t you, Derek?


ADAM OCKLEFORD: Go on, then.

DEREK PARAVICINI: And do it together, as well.


ALAN YENTOB: Although alluring bodies like Derek are at the affection of his writing, in his latest book Oliver Sacks turns a lens on his own life.

He was built-in in London, in 1933, the fourth and youngest adolescent of two doctors, themselves the accouchement of Jewish immigrants.

Going aback to your childhood, your parents were both medical practitioners and they were very, actual musical, is that right?

OLIVER SACKS: My ancestor was actual musical, he would consistently accept array of tiny—I see there’s one here—he would consistently accept these little miniature array in his pockets, and amid patients he would booty them out and attending at them, and he maintained that he could apprehend an complete orchestra or choir in detail, that he didn’t charge a almanac player.

ALAN YENTOB: You beggarly he could aloof apprehend it in his head?

OLIVER SACKS: He could apprehend it in his head, and accurate instruments could be emphasized, and he would mentally conduct it. I was in awe of this. My mother was the opposite. She could hardly authority a tune in her head, although she was addicted of music. She admired Schubert. She admired singing.

I feel bawling aback I anticipate of some of the songs she sang—in a hardly off-key, hardly cockney way, but from abundant feeling.

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The abode was abounding of music, and it was additionally abounding of science and anesthetic and so, in a way, they anatomy accustomed partners.

ALAN YENTOB: Oliver Sacks acceptable his medical amount from Oxford University and confused to New York in the 1960s, area he started assignment at Beth Abraham Hospital in the Bronx.

Events that took abode actuality aggressive his book Awakenings and had a abstruse aftereffect on him. This was the aboriginal abode he witnessed the ameliorative adeptness of music.

When he accustomed here, the corridors were lined with patients adversity from a blazon of encephalitis, asleep sickness, a paralyzing ache that is attenuate today but afflicted over a actor bodies about the apple in the 1920s.

Remarkably, Sacks begin that the biologic L-dopa brought some of the patients out of their catatonic states. But he additionally credible that alike afterwards the drug, there was one affair that could action them.

OLIVER SACKS: These people, clumsy to booty a footfall by themselves, or complete a syllable, could dance, could sing and could arise actually alive, for a while, with music.

That for me was the first…it abashed me. It still stuns me to see it. It was an complete revelation. They were absolved by music; they were freed by music.

ALAN YENTOB: Today Beth Abraham is home to the Institute for Music and Neurologic Action and is a apple baton in analytic music therapy. The basal abstraction is that music can advice antithesis damaged academician action by activating genitalia of the academician that are nearby.

Sacks serves as a medical adviser to the Institute. Its motto, “Music has Power,” admiring the usually antisocial artist Moby to become a angel and lath member.

MOBY (Musician): It seemed ambiguous cool and miraculous. Like, I couldn’t accept it, you know, that bodies who can’t speak, are able to sing. And bodies who can’t airing are able to dance. Like, I mean, it’s like, is there some array of messiah complex in this?

What they’re accomplishing at the Institute, the way they’re about re-wiring the brain, you know, like if you accept a damaged allotment of the brain, through music therapy, you’re able to about like re-route about the damaged part…the way the academician can array of actual adaptively rewire itself…it actually is miraculous.

ALAN YENTOB: One of the best alluring bodies Dr. Sacks has advised is a adolescent man alleged Matt Giordano, who lives actuality in the quiet suburbs of upstate New York.

But Matt’s abode is annihilation but quiet. In actuality he’s had to allowance up his windows to try to accumulate the babble bottomward in his neighborhood.

So appearance me around, Matt.

Matt has astringent Tourette syndrome. He has begin that alone one affair can advice him ascendancy the automatic movements or tics that Tourette’s gives him: drumming.

MATT GIORDANO: Appetite me to play?


That was amazing. So how do you feel now?

MATT GIORDANO: Feel better. Feels like, affectionate of, done them out a little bit there.

I accept some drums out here, too. Basement’s a little bit of a mess. I apologize. It’s a basement.

ALAN YENTOB: Can you comedy those for us, as well?

MATT GIORDANO: Yeah, I’ll accept to set it up complete quick.

ALAN YENTOB: Yeah, set it up.

Matt’s now 26, but the analysis that he had a accustomed adeptness to comedy drums came one day aback he was two years old and heard the Moody Dejection song, “I’m Aloof a Singer (In a Bedrock and Cycle Band).”

So that Moody Dejection tune, that was the affair that actually got you going, basically?

MATT GIORDANO: Yeah, well, I was two years old, and my parents aloof bought me a little toy boom set, aloof to accumulate a two-year-old alive sometimes. And so they would accept to the Moody Dejection on the almanac player—huge Moody Dejection fans—and so they were in the added allowance and that song “I’m Aloof a Singer in a Bedrock ‘n Cycle Band,” came on, and all of a abrupt they noticed I’m arena appropriate alternating with the drums, at two years old. So they affectionate of accustomed I had a accustomed adeptness and allowance at arena the drums.

ALAN YENTOB: Do you apperceive how to comedy that? Can you get aback into that?

MATT GIORDANO: I anticipate I adeptness bethink maybe a little bit. I’ll accord it a whirl.

I acquaint you, you know, you guys, you British people, you apperceive how to comedy your music.

ALAN YENTOB: The analysis of Matt’s allowance for boot coincided with the aboriginal tics of Tourette’s, as able-bodied as added cerebral issues.

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In the 1980s, little was accepted about Tourette’s, and no one actually knew what was amiss with Matt, not alike his parents, Kathy and Tony.

So did you ascertain actual aboriginal on that Matt had Tourette’s?

KATHY GIORDANO (Matt Giordano’s mother): We started acquainted affection about aback he was about two years old, but we didn’t accept a clue, we didn’t accept any abstraction why he was accomplishing what he was doing. And it actually wasn’t until the tics got actual severe, he would arise home from academy and circuit in a amphitheater on the attic for like two hours at a time and he’d be crying, “Mommy, Mommy, advice me, advice me.” But if I approved to stop him, he’d get affronted at me because he bare to complete the tic. So that was aback we brought him to the doctor’s and got him diagnosed.

ALAN YENTOB: What were the affection besides, obviously, the ticcing and the abridgement of coordination? And there was additionally the acrimony wasn’t there?

KATHY GIORDANO: Annihilation could set him into a rage, and that was actual destructive. He bankrupt windows and kicked holes in walls and bankrupt our windshield in the car. And it was dangerous. It was alarming for him, and it was alarming for our ancestors members. But he’s consistently been the candied kid that he is now. You know, aback he wasn’t in a rage, aloof the gentlest, kindest, best admirable person.

ALAN YENTOB: I beggarly there was a aeon aback he had to be, array of, taken abroad from home, wasn’t there? Aback he was sectioned, essentially, amid the ages of 8 and 12? I mean, was it that bad?

KATHY GIORDANO: Yeah, it was that bad. He was either action to annihilate himself—I absolved into the kitchen one day, and he had a knife acicular at his chest, because he knew that he was agitated adjoin Tony, was agitated adjoin me, agitated adjoin his brother and sister. And, like I said, he’s a sweet, wonderful, affable person, and to accept that added allotment of him that he knew he was abashing the ancestors that much, was antibacterial him.

ALAN YENTOB: Matt was accustomed medication at age seven, and was in treatment, abroad from home, for over four years. It was during this time that he begin his aptitude for boot could advice him ascendancy his Tourette’s.

KATHY GIORDANO: At school, he chock-full actuality the awe-inspiring kid with these tics and he started acceptable the drummer. So it was actual acceptable for his self-esteem.

OLIVER SACKS: Music demands focus. The Tourette’s doesn’t so abundant go abroad as, I think, its energies get focused and channeled and can alike anatomy a antecedent of backbone or energy. But it is the organization, the adjustment of music, which is their, array of, abundant breastwork adjoin chaos.

ALAN YENTOB: Bodies are aggravating to assignment out whether the music, neurologically, whether that affects the academician and, and in a way, the emotions, as well.

MATT GIORDANO: Oh absolutely, absolutely. I mean, I don’t apperceive if there’s affidavit or not, but I mean, how abundant affidavit do you charge to realize, this is pudding, you know? The affidavit is in the pudding.

I was arena this accent in a actual counterbalanced anatomy of my body, a actual counterbalanced anatomy of bounce and aggregate else. It was about like my academician was a puzzle, right? And some of the pieces were not in place, and, all of a sudden, aggregate affectionate of clicked in the two hemispheres of my brain. And I actually acquainted it like this. I was accomplishing it, and, all of a sudden—it went about this fast—and it affectionate of aloof clicked into place. And it actually went bottomward my complete body, about that fast, and it was a actual balanced antithesis of my complete being. Aback that happened, it was amazing.

ALAN YENTOB: Can you brainstorm your action afterwards music?

MATT GIORDANO: I would go bonkers. I apparently wouldn’t be here, literally.

All right, my easily are freezing!

ALAN YENTOB: Area are the $.25 of the academician which chronicle to our agreeable sense?

OLIVER SACKS: There’s no one agreeable allotment of the brain, and in actuality there are, array of, a dozen altered genitalia of the academician which acknowledge to pitch, to rhythm, to timbre, to adapted contour. Alike this blooming part, the cerebellum, is actual crucial. And, in fact, you acquisition that beheld genitalia of the academician and motor genitalia of the brain, and additionally the genitalia of the academician anxious with apprehension and expectation, because one doesn’t accept to music passively, one array of decodes it as one listens, one sees area it’s going, one has expectations.

ALAN YENTOB: Processing music requires the chart of abounding regions in the brain, a acoustic accomplishment that science is aloof alpha to understand. Pitch, volume, timing and so on are anniversary analyzed separately, and afresh accumulated calm to actualize a agreeable experience.

ALAN YENTOB: At Columbia University, a aggregation of scientists helps us see the academician of Oliver Sacks “on music.”

HAL HINKLE (Department of Neurology, Columbia University): Dr. Sacks, acceptable to the lab.

OLIVER SACKS: Okay, acknowledge you. Nice to be here.

I don’t anticipate I accept any of these things: “aneurysm, cardiac pacemaker, beverage pump…”

ALAN YENTOB: Hal Hinkle, a Ph.D. applicant in neuroscience, is action to advance Sacks through the experiment.

OLIVER SACKS: And I assumption I counterbalance 190 today.

HAL HINKLE: Wonderful.

OLIVER SACKS: I bigger put pounds, in case they anticipate it’s kilos.

HAL HINKLE: Acknowledge you. Good.

OLIVER SACKS: Okay. Right.

ALAN YENTOB: For the test, he’ll aboriginal be asked to accept to a allotment of music. It’s one he is accustomed with, “Diversions,” by Joseph Horovitz. He alike has it on his iPod. Then, he’ll be told to brainstorm the aforementioned allotment arena in his head.

HAL HINKLE: If you’ll aloof booty a bench for a moment.

ALAN YENTOB: We’re action to associate central his academician application anatomic alluring resonance imaging, or fMRI. An fMRI browse shows changes in claret breeze in the brain, so we can see which regions are active.

HAL HINKLE: We’re action to do two sets of scans. The aboriginal set of scans, we’re action to be allurement you to accept to music, and afresh we’re action to ask you to brainstorm that music.

OLIVER SACKS: I attending advanced to it.

HAL HINKLE: I bet you do.

ALAN YENTOB: First, Sacks listens to the music. Then, Hal asks him to try to charm the melody in his head. So the catechism is, “Did his academician accomplish in the aforementioned way aback he listened and aback he imagined?”

Hal, alternating with neuroscientist Joy Hirsch, reviews the after-effects with Dr. Sacks.

JOY HIRSCH (Columbia University Medical Center): I appetite you to see how abundant of this action is in common. Remember, I acicular out these aboveboard lobes areas, the average aboveboard gyrus?

OLIVER SACKS: The controlling one, yeah.

JOY HIRSCH: See? Actually the aforementioned abode in both sets. So, in apperception the music, you’re agreeable actually those aforementioned areas.

ALAN YENTOB: Abounding academician regions were alive in both cases, but aback Sacks cool music, there was one analytical difference.

JOY HIRSCH: Notice this added action in the aboveboard lobe. That agency the advanced allotment of your academician is actual affianced in creating the music. The music isn’t advancing from the audition cortex. One adeptness brainstorm that it’s advancing from your aboveboard lobe.

Look at this! Isn’t that gorgeous?

ALAN YENTOB: It seems that in the academician of Dr. Sacks, his centralized iPod, is orchestrated by his aboveboard lobe, the allotment of the academician that coordinates academy brainy functions and animate memory. But could the browse of his academician acquaint us what song he was imagining?

JOY HIRSCH: It tells us that you’re alert to music, conceivably that you’re apperception music, but it doesn’t acquaint us annihilation about the specific music, at atomic at this point.

OLIVER SACKS: You can’t apprehend my thoughts.

JOY HIRSCH: I can’t apprehend your thoughts, yet. But we’re trying, Oliver. We’re trying.

ALAN YENTOB: For musicians, apperception music can additionally actuate motor regions of the brain, but what about non-musicians?

HAL HINKLE: So Oliver, there’s this ample catechism of, are all accuracy musical?

OLIVER SACKS: Well, I’ve actually announced to a lot of bodies and corresponded to a lot of people. There are those who say that they couldn’t buck a day afterwards music, and alike if they don’t apprehend it on the radio they will apprehend it in their minds. There are others who say music doesn’t beggarly abundant to them, and if it abolished tomorrow, that would be accept with them.

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ALAN YENTOB: Alike if you can’t comedy classical music, abounding of us can acknowledge a admirable allotment of Chopin. But brainstorm what action would be like if our accuracy couldn’t accomplish faculty of the music we hear, and what if we didn’t accept why that was happening.

If you are Anne Barker, music aloof sounds like an animal noise.

So what about a nice bit of Chopin, then?

ANNE BARKER (Amusia Patient): No. No, I would never accept to accept to Chopin while in the car. It’s not my abstraction of fun. In fact, it would be actually irritating. I anticipate I would accept lots of accidents if I listened to Chopin.

ALAN YENTOB: What does the piano do for you then? What’s the array of…

ANNE BARKER: I anticipate it’s the assault of the keys that irritates me. It’s very…I don’t get any amusement to accept to the piano. It’s an acid sound, decidedly classical piano.

ALAN YENTOB: Anne has a attenuate action alleged “amusia.” Although her audition is normal, she has the agreeable agnate of color-blindness.

OLIVER SACKS: You can be deafened to music and to altered aspects of music. You can be deafened to pitch, you can be deafened to rhythm, or, alike if you apprehend angle and accent normally, you may be deafened to melody—just not bolt melody—or deafened to harmony. And all of these things are alleged amusia.

ALAN YENTOB: To accomplish affairs worse, Anne comes from an acutely agreeable family. Her parents alike own a apple boutique which specializes in acceptable Irish instruments.

Anne is one of eight children. The complete ancestors is the accountable of a analysis abstraction actuality conducted by Dr. Lauren Stewart. She’s aggravating to acquisition out whether amusia has a abiogenetic or ecology cause.

LAUREN STEWART (University of London): Okay, Anne. I’m action to be arena you altered pairs of tunes. I appetite you to acquaint me if they are actually the aforementioned or hardly different.

ANNE BARKER: Same…don’t know…different.

Most of these, I guessed.

LAUREN STEWART:Yeah, don’t worry, you’re accomplishing fine.

ALAN YENTOB: Yeah, you’re guessing?

LAUREN STEWART:You’re accomplishing good.

ALAN YENTOB: You’re cheating.

LAUREN STEWART:No, you’re accomplishing your best.

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ANNE BARKER: I don’t apperceive if they’re aforementioned or different. So I accept to…

ALAN YENTOB: You accept to accept a go.

ANNE BARKER: I accept to accept a go.

ALAN YENTOB: This is par for the course. Anne manages to assumption alone two out of 10 of the answers this time. And it’s alone now that she can accept why this action has had such an appulse on her life.

ANNE BARKER: Different.

ALAN YENTOB: Aback you, as a kid or a teenager, you went dancing, did you faculty that article was wrong?

ANNE BARKER: I’ve got so abounding funny belief to acquaint about dancing, it’s legendary.

ALAN YENTOB: Well, acquaint me your dancing story.

ANNE BARKER: My dancing stories. My aboriginal acquaintance of dancing was at the age of five, aback my mum beatific me to Irish dancing class, and I so abundant capital to be a nice Irish dancer.

Six years later, at the age of 11, I was still at the aforementioned class, at the beginners’ class, I think, with the little children, with the five-year-olds. And I had accomplished my footfall every night, diligently, for six years. And I knew my steps, my jigs and my reels perfectly. And I could not accept why I was still in the aforementioned chic six years later. Looking aback as an adult, I anticipate I was…what I was dancing bore no accord to the music that was actuality played, so I can alone anticipate that…

ALAN YENTOB: So, it charge accept been an immense abatement to acquisition out what it was that was wrong.

ANNE BARKER: Oh incredible, incredible. But as a teenager, none of the boys would ball with me. I acclimated to abstain action anywhere area there was dancing, and still do abstain situations area I accept to dance, because it’s so socially humiliating, actually humiliating. I’d adulation to be able to do salsa, oh I’d adulation that, or to jive, but no, my accomplishment was on the football pitch.

ALAN YENTOB: Despite it all, Anne still brand the amusing ancillary of alert to accompany and ancestors authoritative music bottomward in the apple pub.

Her action isn’t as abstract now that she understands the cause.

ALAN YENTOB: Some accuracy can’t break music at all. But others are acute to alike the aboriginal agreeable nuance.

Why do some pieces move us while others leave us cold?

OLIVER SACKS: In general, I’m a Bach lover and accept consistently been. Alike aback I was a kid, aback I was five, I’m told that I was asked what my admired things in the apple were and I said, “Smoked apricot and Bach.” And 70 years afterwards it’s still appealing abundant the same.

ALAN YENTOB: Best of us accept music that we’ve admired aback childhood. In fact, the music we accept to as accouchement can accept a abstruse aftereffect on what we adore as adults.

With the advice of the Columbia aggregation again, a additional analysis can appearance us if the academician of Dr. Sacks loves Bach as abundant as he does.

HAL HINKLE: Cycle aback and forth.

ALAN YENTOB: This time, Hal Hinkle gives Dr. Sacks a accessory to amount his affecting acknowledgment as he listens. He’ll apprehend two pieces of music by altered composers, a Mass by Bach and one by Beethoven.

First, the Bach.

Then, the Beethoven.

The composers are different, but the music has assertive similarities, such as aggregate and tempo.

HAL HINKLE: Oliver, that completes the aboriginal affecting scan. I would like to apprehend how that was for you.

OLIVER SACKS: The Bach array of blew me away, abnormally that point area the acute came in and there was a admirable harmonic modulation. But the Beethoven, I’m afraid, array of larboard me flat.

ALAN YENTOB: The after-effects of the browse are in, and, amazingly, they assume to affirm his feelings.

JOY HIRSCH: What you can see, aloof in an actual overview here, is that this is your Bach academician and this is your Beethoven brain.

OLIVER SACKS: Sorry, Ludwig.

JOY HIRSCH: Yeah, sorry, Ludwig. There’s not abundant there.

ALAN YENTOB: Clearly, Bach aflame abundant of his brain, including the abounding regions capital to affectionate the complication of the music. But, clashing Beethoven, the Bach activated the amygdala, active abysmal in his brain, and basic to processing emotions.

JOY HIRSCH: Here, we see ample action associated with the appropriate amygdala, aback you’re alert to Bach. There is none of that aback you are alert to this actual commensurable allotment in Beethoven.

OLIVER SACKS: I accept to say my music abecedary is aggravating to get me into some Beethoven, into a Beethoven sonata. I say, “I don’t like it actual much.” And she said, “You accept to apprentice it and afresh conceivably you will like it more.”

ALAN YENTOB: In fact, our accuracy do consistently change and acclimate to new learnings and stimulation. Neuroscientists alarm this plasticity.

Twenty or 30 years ago there was a addiction to anticipate of the academician as about as anchored as it would arise to be anatomically. And we, in fact, now apperceive that the academician is aloof always abstraction itself, actuality reshaped. There seems about no end to the bendability of the brain.

But can agreeable adeptness be alive into the academician area it never existed before? The acknowledgment may lie in one of Oliver Sack’s best abstruse case histories, sparked off by an blow which took abode in a baby boondocks in New York State, on a bitter afternoon, in August, 1994.

I accept never met addition actuality with a adventure like Tony Cicoria’s. Tony was 42, a above academy football amateur who had become a well-regarded orthopedic surgeon.

OLIVER SACKS: Tony is a surgeon, in New York State, who had actual little agreeable background, or interest, or aftertaste or talent, until, through a aberration blow of actuality on the buzz in a storm, he was hit in the face by a bolt of lightening, flung aback and killed, in a sense. He apparently had a cardiac arrest.

He had one of these aberrant out-of-body experiences, which one can accept in these circumstances, afresh he was resuscitated. He seemed to be appealing abundant himself.

But then, three or four weeks afterwards this, a aberrant transformation happened, area he developed a abrupt “insatiable passion,” as he put it, for audition piano music, and afresh for arena piano music, and afresh for basic piano music. This took authority of him and wouldn’t let him go.

ALAN YENTOB: Twenty-three Academy Park Drive.

He’s arena music.


ALAN YENTOB: You were practicing. That’s aloof accustomed for you is it?

TONY CICORIA: I’m aloof abating up.

ALAN YENTOB: Aback did this change happen, aback did this array of coercion for the music happen?

TONY CICORIA: Aural that aboriginal two weeks, I started to accept a appetite to apprehend classical piano music, which was clashing me. I was a artefact of the ’60s. I admired loud, adamantine bedrock and roll. There wasn’t abundant else. And then, aural a abbreviate aeon of time, it wasn’t abundant to aloof accept to the music, I capital to be able to comedy it. And, magically, I aloof ordered all the area music and was bent to apprentice it.

ALAN YENTOB: But you couldn’t apprehend area music?

TONY CICORIA: No, but that’s why there’s bewitched thinking, somehow it was aloof action to happen. At the time, I was animate full-time as an orthopedic surgeon, 12 to 14 hours…long days. In adjustment to be able to accumulate up with this control that I had all of a sudden, I got up at 4:00 in the morning, and I would convenance until 6:30, aback I had to go to work. And then, I would arise aback from work, and I would sit there until, literally, I couldn’t see the pages. And, unfortunately, the time that I sacrificed was any time that I had with my wife. My attraction with the music actually was my accidental 50 percent to our alliance breaking up.

For a continued time, I thought, certainly, that the alone acumen that I was accustomed to animate was because of the music.

OLIVER SACKS: All of this went for him with a array of mystical or religious feeling.

ALAN YENTOB: Because of this near-death acquaintance he had, as well.

OLIVER SACKS: Well, or conceivably aloof because of what was blow with his brain, or perhaps, you know, out of arduous acknowledgment for, you know, for actual this, although I’m absorbed to anticipate that there was a audible acoustic base for the mystical billow as well.

He said, as a medical man, he said, he couldn’t explain it. He…it was due to all-powerful intervention. I wasn’t actually abiding how to acknowledge to this but I, I achievement delicately, asked him if he would acquiesce that all-powerful action adeptness accomplish via the afraid system.

ALAN YENTOB: Nerves, Tony?

TONY CICORIA: Nerves? “Nerves” is not alike the word.

ALAN YENTOB: Tonight’s a big night. It’s the aboriginal achievement of “The Lightning Sonata,” accounting and performed by Tony Cicoria and aggressive by his own amazing story.

How abounding bodies will be there?

TONY CICORIA: Bristles hundred; there are 500 seats.

ALAN YENTOB: I apprehend it was oversubscribed significantly; is that right?

TONY CICORIA: Yeah, yeah. The aftermost I heard were that there were 2,000 requests. And we alone accept 500 seats.

ALAN YENTOB: Do you anytime think, “Well, at some point I’m action to accept to accomplish a best amid anesthetic and music?”

TONY CICORIA: I’m acquisitive that I won’t accept to accord up either, that I can acquisition a balance. But I anticipate the music is a abundant added allotment of me than what I do for a living.

ALAN YENTOB: The absurd contest that led to Tony’s affection for music accept opened up a accomplished new affiliate in his life.

And as for Matt, he too has begin a way to use the adeptness of music to transform his life. Nearly all the accouchement and adolescent bodies in Matt’s boom branch additionally accept Tourette’s. They’ve credible Matt, and he’s begin his vocation.

OLIVER SACKS: I went there one Saturday morning, in New York, and saw, array of, 30 bodies twitching and ticcing violently, out of themselves, uncoordinated, and all out of synchrony with anniversary other. I mean, it was complete pandemonium. And yet, aback he started the drumming, and aback others came in, anybody was orchestrated, they formed a group. One saw synchrony, one saw bonding, one saw this age-old adeptness of music to, not alone to accord aggregate in the afraid system, but to accord bodies together.

MATT GIORDANO: Five, four, three, two, one and stop. Good, complete good.

ALAN YENTOB: And what about Derek? Challenged aback bearing by astringent autism and blindness, how his academician works is still a mystery, and yet, his amazing agreeable allowance is, actually simply, inspirational.

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OLIVER SACKS: Although I assume to allocution about affliction and accident and problems, my complete affair is survival, how bodies administer and transcend, generally triumphantly.

And I anticipate this can appear with abounding people, that music can somehow accompany aback the action of action aback annihilation abroad can.

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